ode
A lyric poem that is serious and thoughtful in tone and has a very precise, formal structure. John Keats's “Ode on a Grecian Urn” is a famous example of this type of poem.
onomatopoeia
A figure of speech in which words are used to imitate sounds. Examples of onomatopoeic words are buzz, hiss, zing, clippety-clop, and tick-tock. Keats's “Ode to a Nightingale” not only uses onomatopoeia, but calls our attention to it: “Forlorn! The very word is like a bell/To toll me back from thee to my sole self!” Another example of onomatopoeia is found in this line from Tennyson's Come Down, O Maid: “The moan of doves in immemorial elms,/And murmuring of innumerable bees.” The repeated “m/n” sounds reinforce the idea of “murmuring” by imitating the hum of insects on a warm summer day.
ottava rima
A type of poetry consisting of 10- or 11-syllable lines arranged in 8-line “octaves” with the rhyme scheme abababcc.
pastoral
A poem that depicts rural life in a peaceful, idealized way.
pentameter
A line of poetry that has five metrical feet.
personification
A figure of speech in which things or abstract ideas are given human attributes: dead leaves dance in the wind, blind justice.
poetry
A type of literature that is written in meter.
quatrain
A stanza or poem of four lines.
refrain
A line or group of lines that is repeated throughout a poem, usually after every stanza.
rhyme
The occurrence of the same or similar sounds at the end of two or more words. When the rhyme occurs in a final stressed syllable, it is said to be masculine: cat/hat, desire/fire, observe/deserve. When the rhyme occurs in a final unstressed syllable, it is said to be feminine: longing/yearning. The pattern of rhyme in a stanza or poem is shown usually by using a different letter for each final sound. In a poem with an aabba rhyme scheme, the first, second, and fifth lines end in one sound, and the third and fourth lines end in another.